Product Type : Music
Tubes - Bondage At The Bush (CD) (UK Import)
Tubes - Bondage At The Bush (CD) (UK Import)
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Artist: Tubes
Music Genre: Rock
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Details
| Artist | Tubes |
|---|---|
| Format | CD |
| Genre | Rock |
| Released | 25 September 2026 |
| Barcode | 5036436166022 |
Disc 1
- Overture
- Ghost Riders in the Sky
- She's a Beauty
- Don't Touch Me There
- Under the Double Eagle
- Mad Cow Auctioneer
- I Saw Her Standing There
- My Asylum
- Malaguena Salerosa
- What Do You Want from Life
- Tumbling Tumbleweeds
- Russell Chaps Intro
- Tip of My Tongue
Disc 2
- Don't Want to Wait Anymore
- Life Is Pain
- Talking to the Moon
- TV Is King
- No Way Out
- Let There Be Drums
- Stand Up and Shout
- White Punks On Dope
- Mondo Bondage
- The Magnificent Seven
- Haloes
- Talk to Ya Later
About the artist
About the artist
The Tubes are a San Francisco-based rock band that used a mix of progressive rock theater, multimedia, and scathing social criticism of America's television culture. The original line up consisted of Fee Waybill (Vocals), Rick Anderson (Bass), Prairie Prince (Drums), Roger Steen (Guitar and Vocals), Bill Spooner (Guitar and Vocals), Vince Welnick (Keyboards), and Michael Cotten (Synthesizer), with Mingo Lewis (Drums and Percussion) and Re Styles (Vocals) expanding the lineup to nine members during their time on A&M Records. Their live performances were surreal vaudeville shows in which songs became full fledged production numbers.
The Tubes scored their first hit "White Punks on Dope," on their self-titled debut album released on A&M records. Their second album, “Young And Rich," included their second hit single – the suggestive duet “Don't Touch Me There." The Tubes released three more albums on A&M before being dropped in 1982, slimming back down to the original lineup. Capitol Records signed them upon their release from A&M and they released their most successful album to date, the concept album “The Completion Backward Principle."
“The Completion Backward Principle," contained the hits, “Don't Want To Wait Anymore," “Sushi Girl,” and the classic rock staple “Talk To You Later."
Their next release on Capitol was "Outside Inside," which featured the top 10 US single “She's A Beauty."
In 1985 The Tubes released “Love Bomb," which was not a commercial success and years of expensive tours left the band a half million dollars in debt. Capitol dropped the Tubes and lead singer Fee Waybill left the band, with David Killngsworth joining as his replacement.
The years that followed saw several personnel changes in the band, with Spooner, Cotten and Welnick all departed by mid-1989, and Waybill ultimately returning to the band in the 1990s. While the Tubes have continued to release music, the fame and notoriety of the late 70s and early 80s remain as the bands true legacy.
The Tubes scored their first hit "White Punks on Dope," on their self-titled debut album released on A&M records. Their second album, “Young And Rich," included their second hit single – the suggestive duet “Don't Touch Me There." The Tubes released three more albums on A&M before being dropped in 1982, slimming back down to the original lineup. Capitol Records signed them upon their release from A&M and they released their most successful album to date, the concept album “The Completion Backward Principle."
“The Completion Backward Principle," contained the hits, “Don't Want To Wait Anymore," “Sushi Girl,” and the classic rock staple “Talk To You Later."
Their next release on Capitol was "Outside Inside," which featured the top 10 US single “She's A Beauty."
In 1985 The Tubes released “Love Bomb," which was not a commercial success and years of expensive tours left the band a half million dollars in debt. Capitol dropped the Tubes and lead singer Fee Waybill left the band, with David Killngsworth joining as his replacement.
The years that followed saw several personnel changes in the band, with Spooner, Cotten and Welnick all departed by mid-1989, and Waybill ultimately returning to the band in the 1990s. While the Tubes have continued to release music, the fame and notoriety of the late 70s and early 80s remain as the bands true legacy.
Source: Discogs
